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Not everyone communicates visually.
But everyone has language.

 

I am a strategic and innovative project manager and endlessly curious storyteller with decades of experience partnering with high-profile museums, cultural organizations, philanthropies, publishers, and academic institutions.

I’ve had the pleasure of working with The Metropolitan Museum of Art, The Museum of Modern Art, the New-York Historical Society, and the National Trust for Historic Preservation, as well as dealers and galleries around the world.

Whether shaping programs, building content environments, conducting research, or telling stories, I bring my creativity and discernment to these collaborations to help clients realize their goals. At the heart of my work is my passion for bringing audiences thoughtful and emotionally resonant experiences and integrating immersive technology (audio, video, virtual and augmented reality), traditional media, and ideas.

I’ve also rooted around archives, libraries, and private collections across the country and worldwide, willing them to surrender their secrets. But perhaps my favorite part of this work is interviewing interesting people, because it never feels like work.

The chance to delve into the lives of those who are driven to create, the worlds they inhabited, and what they’ve left behind is invaluable to me, personally and professionally. One thing my work has shown me is that not everyone communicates visually, but everyone has language.

Allow me to help you bring your visual fluency to a larger audience.

Scribo ergo sum.

 

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If you could say it in words there would be no reason to paint.
— Edward Hopper
 
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Image Credits

Opening Gallery: Foyer of Sanatorium Purkersdorf, Josef Hoffmann and the Wiener Werkstätte, 1904–1905 (Purkersdorf, Austria, 2016); Salt Cellar of Francis I, Benvenuto Cellini, 1543 (Kunsthistorisches Museum, Vienna, Austria, 2016); Underneath a Big-Leaf Maple Near Alsea, Benton County, Oregon, 2012; Liverpool Cathedral, Giles Gilbert Scott et al., 1904–1978 (Liverpool, England, 2009)—This one is best appreciated in portrait orientation on a phone or tablet!; Waerndorfer Frieze, Margaret MacDonald, 1906 (MAK – Museum für angewandte Kunst, Vienna, Austria, 2016); Mirror (German), Anonymous, circa 1700 (MAK – Museum für angewandte Kunst, Vienna, Austria, 2016).

Courtyard of the Nejjarine Funduq (Museum of Wooden Arts and Crafts, 1711, restored 1990–1996), Fes, Morocco, 2020.

Textiles, Liberty London, 2017.

All images by Alexandra Anderson.